Yes, it has been a hiatus of sorts… 2 weeks actually. And its not because i ceased to find beauty in the world or was not inspired enough by anything; it was simply because i was partially lazy and somewhat also busy in travel and other matters. Excuses aside, on a recent visit to magical Udaipur in Rajasthan, I happened to encounter two jewels… the first, The Leela Hotel where i stayed and the second, The Oberoi Udaivilas which I visited. Both are modern poetry in motion… both reflect a new Indian luxury… yet both are different. I’m going to start with sharing my visual journey of the latter, the beautiful Udaivilas and keep my next post reserved for the Leela.
Before I begin, I’d like to get something out of the way. All my travel photography is generally the end result of what i call ‘Phoneography’, broadly implying that the images were made on a smartphone. For my fine art Shows, I use a high end DSLR, so between the two mediums, I pretty much find my angst of creating images ably addressed. On seeing my smartphone imagery, I’ve almost always been asked by everyone about which ‘App’ i use. So time to set the record straight…’Apps’ don’t make images…. individuals do! If a large number of people were made to stand in a group and asked to look at something together from the same spot, they would all obviously see exactly the same view, and if they all then took a photo, they could all well be, not surprisingly and deceptively similar, with some exceptions. Therefore, creating images is not about what is seen at all, it’s about what is assimilated … it’s about what is absorbed…it’s about shunning the seen to be able to discover the unseen, its about having what is commonly known as ‘having an eye’, and herein lies the core difference. A good camera is a boon…A good App is a tool, but both are not absolute essentials for great images. To create enduring images, we must learn to look beyond the obvious and allow the spirit, not the eyes, to sense the extraordinary. And then, eventually, it all comes down to composing that perfect frame. And yes, ‘Apps’ are modern photography aids that are meant to be used to make pictures come alive… they are the garnish that is often required to give that perfect recipe that one extra flourish… but always be aware that there is a thin line that divides effective imagery and gimmickry. Personally, for my smartphone photography (and as some of you know, I publish travel books based on such photography), I make and edit the images on the phone itself; they are then moved to a computer for layout and packed off straight to the printer for immortalisation in the guise of books.
Back to Udaipur and Udaivilas. I’m convinced that Udaipur, as a city, is Rajasthan’s finest destination. Pichola lake is the jewel in the crown and most of Udaipur’s luxuries are found either in this lake or around it. Add that to the basic topography of the city itself with its undulating hills and several ‘jheels’ and we have a sumptuous city retreat to scamper off to.
Udaivilas, from what I could gather from my few hours there, is your typical Oberoi fare which essentially means that it is brilliant. The Oberoi chain has undoubtedly set several benchmarks of stylish perfection in the hospitality industry in India (and overseas) and this hotel seemed no different. I suppose, I’ll have more to write about this when and if i do stay there in the near future, but till then, i hope you get a sampler of that elegance from the images that I have posted above.
PS* If anyone from the Oberoi is reading this: Can anyone please explain the rationale behind the ‘NO PORCH’ approach being adopted across your hotels since the last few years? I somewhat understand the charm of a liveried gentleman escorting a guest to the lobby holding an umbrella over him/her, but i suspect that India’s climatic conditions (Heat, Dust, Rain) and your posh guest’s rather immodest expectations of a pampered reception may not essentially be in sync.
Copyright: JJ Valaya/ All rights reserved. All images are the sole property of JJ Valaya. No part of this post/publication may be reproduced, stored in retrieval systems, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of JJ Valaya. This applies to all acts of use, in particular such as the reproduction of pictures and text, their performance and demonstration, translation, filming, microfilming, broadcasting, storage and processing in electronic media